Obras de arte integram o Congresso Nacional

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[{"selector":"#anim-40d70e03-b63f-4076-a412-f4e4d35af9fd","keyframes":{"transform":["translate3d(114.46540%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-4655a9a6-08c6-4fa3-ab9f-69c3f341b284","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-081c1c05-008b-4316-a088-d798143b7750","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-1b07b22e-9a91-464c-8b85-0eed53ffe749","keyframes":{"transform":["translate3d(150.00000%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-5bca5efd-1303-4007-aee2-28a4b280602f","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-495b3913-27bc-456c-8878-4b9b4026324b","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-b749b966-3c32-4dd9-a4ce-ad66d63dd69f [data-leaf-element=\"true\"]","keyframes":{"transform":["translate3d(-78.92606922059797%, 0, 0) translate(-14.970059880239518%, 1.8328546937833539%) scale(1.2994011976047903)","translate3d(0%, 0, 0) translate(0%, 0%) scale(1)"]},"delay":0,"duration":20000,"fill":"forwards"}] Di Cavalcanti Com quase 9 metros de largura e 3 de altura, o painel foi pintado pelo artista para o Congresso. Está localizado próximo à entrada do Plenário da Câmara Candangos (1960) Waldemir Barreto/Agência Senado

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[{"selector":"#anim-e5233aba-1a36-4e8f-ae22-3d8faf1f4577","keyframes":{"transform":["translate3d(122.61484%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-85457ce1-d734-49e0-8685-f8f7c4f81a3c","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-c4075330-a7f5-45b5-8779-4dacc08f18d0","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-d922f828-f610-47e8-8bf4-2408832c76bc","keyframes":{"transform":["translate3d(133.33333%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-29e6fc29-3f55-4abc-8be5-984116a67720","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-969a7499-17fc-4dbf-a00d-531d8f9226b4","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-af6fcfcd-7555-4c9d-8e8d-9313ec860c9a [data-leaf-element=\"true\"]","keyframes":{"transform":["translate3d(-64.84374978667324%, 0, 0)","translate3d(0%, 0, 0)"]},"delay":0,"duration":10000,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] Roberto Burle Marx A tapeçaria em algodão usa formas assimétricas e cores para compor uma imagem abstrata de forte impacto visual. Está exposta no São Negro Sem título (1973) Leonardo Sá/Agência Senado

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[{"selector":"#anim-1014193a-1047-41b0-b090-c1c135160216","keyframes":{"transform":["translate3d(106.47059%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-f72a776f-31d6-44bd-8572-82d36cc78fa5","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-6bb8adde-206d-4cee-8c12-08f0b13b549b","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-10d75b9f-35c3-4e57-adc0-43c4008c0028","keyframes":{"transform":["translate3d(133.73983%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-cc898346-6ac7-4a04-ad67-7b8ded7d9c82","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-5a37784c-a14f-4df2-9ad2-c04479f5b6d7","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] Marianne Peretti O movimento das águas do rio que dá título à obra é representado pela sobreposição de formas curvas e traços em um painel de vidro com 13 metros de comprimento Araguaia (1977) Waldemir Barreto/Agência Senado

[{"selector":"#anim-ff0a000c-15b7-4272-8ba6-8f9d6efec547","keyframes":{"transform":["translate3d(113.19019%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-12ee88fb-f94d-41a4-8de9-1c131a52d9d0","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-30b3d63d-6c1f-43e4-958e-bc05ebc90534","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] [{"selector":"#anim-de9cbe38-dfa5-4db7-a752-23789697d127","keyframes":{"transform":["translate3d(113.19019%, 0px, 0)","translate3d(0px, 0px, 0)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-60cad43f-b1c7-45f3-a716-dd46990d42f5","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-9d5934e5-8421-4ad8-88f4-d81f2664bd56","keyframes":{"transform":["scale(0.15)","scale(1)"]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"forwards"}] Alfredo Ceschiatti A escultura em bronze está exposta no Salão Nobre em frente a um painel em madeira laqueada assinado por Athos Bulcão Pedro França/Agência Senado Mulher nua (1970)

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texto Bernardo Ururahy edição Rafael Faria pesquisa e edição de fotos Pillar Pedreira edição de multimídia Bernardo Ururahy foto de capa Marcos Oliveira/Agência Senado Publicado em 1º/11/2024

Obras de arte integram o Congresso Nacional

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